Shostakovich – Beethoven – Weinberg

Koyama – Gubaidulina – Shostakovich

Lecture-concert

Festival 20·21

Shostakovich – Weinberg – Tchaikovsky

Quartz International String Quartet Festival

Weinberg complete string quartets in five concerts

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Andalucía Clásica

Quatuor Danel begins its eleven-concert, two-season survey of the Polish-Jewish-Russian composer Mieczyslaw Weinberg’s string quartets, presenting the oeuvre alongside works by Weinberg’s contemporary Shostakovich.

Last round of our triple cycle Beethoven/Shostakovich/Weinberg in Taiwan

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Weinberg and Shostakovich

Weinberg and Shostakovich

Weinberg complete string quartets in five concerts

In this second instalment of their series, the Danel players surround Weinberg’s tense Third Quartet of 1944 with Shostakovich’s widely-ranging Second Quartet of the same year, and his heartfelt and dramatic third work in the medium (1946).

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Beethoven – Shostakovich – Weinberg

Shostakovich – Beethoven

Biennale de Quatuors à cordes

Arsenal de Merz, en partenariat avec La Belle Saison.

Strijkkwartet Biënnale Amsterdam

Strijkkwartet Biënnale Amsterdam

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Bozar / Ars Musica

Beethoven – Shostakovich – Weinberg

Piano Quintets with Oliver Triendl

Amici della Musica di Padova

Chamber Music San Francisco

Chamber Music San Francisco

Chamber Music San Francisco

Shostakovich

“Currently essaying a dual cycle of two composers who were mutual supporters as well as friends, the Russian-specialist French ensemble places Weinberg’s Fourth Quartet (1945) in between two consecutive works of Shostakovich dating respectively from 1949 and 1952.”