Shostakovich – Beethoven – Weinberg

Koyama – Gubaidulina – Shostakovich

Lecture-concert

Festival 20·21

Shostakovich – Weinberg – Tchaikovsky

Quartz International String Quartet Festival

Weinberg complete string quartets in five concerts

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Andalucía Clásica

Quatuor Danel begins its eleven-concert, two-season survey of the Polish-Jewish-Russian composer Mieczyslaw Weinberg’s string quartets, presenting the oeuvre alongside works by Weinberg’s contemporary Shostakovich.

Last round of our triple cycle Beethoven/Shostakovich/Weinberg in Taiwan

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Weinberg and Shostakovich

Weinberg and Shostakovich

Weinberg complete string quartets in five concerts

In this second instalment of their series, the Danel players surround Weinberg’s tense Third Quartet of 1944 with Shostakovich’s widely-ranging Second Quartet of the same year, and his heartfelt and dramatic third work in the medium (1946).

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Beethoven – Shostakovich – Weinberg

Shostakovich – Beethoven

Biennale de Quatuors à cordes

Arsenal de Merz, en partenariat avec La Belle Saison.

Strijkkwartet Biënnale Amsterdam

Strijkkwartet Biënnale Amsterdam

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The music of Russian/American composer Lera Auerbach (1973) is packed with fire and eloquence. In 2016 the world premiere of her composition 72 Angels for choir and saxophone quartet was received with great enthusiasm. Goetia 72 is the sequel to this masterpiece and promises to be no less sensational. 72 Angels, written for 24 singers and saxophone quartet, sings the praises of all the angels named in the Hebrew bible. Goetia, by contrast, explores the sombre, shady world of the 72 demons. Auerbach undoubtedly deserves to be considered one of the world’s most prominent composers.

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Bozar / Ars Musica

Beethoven – Shostakovich – Weinberg

Piano Quintets with Oliver Triendl

Amici della Musica di Padova

Chamber Music San Francisco

Chamber Music San Francisco

Chamber Music San Francisco

Shostakovich

“Currently essaying a dual cycle of two composers who were mutual supporters as well as friends, the Russian-specialist French ensemble places Weinberg’s Fourth Quartet (1945) in between two consecutive works of Shostakovich dating respectively from 1949 and 1952.”

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

With Adrien La Marca, Viola and Christian-Pierre La Marca, Cello

With Adrien La Marca, Viola and Christian-Pierre La Marca, Cello

With Olivier Patey, Clarinet and Amsterdam Sinfonietta

Chamber Music Society of Central Kentucky

The Feldman Chamber Music Society

The Chamber Music Society of Williamsburg

Harvard Musical Association

The Jeffrey Concerts

Chamber Music in Oklahoma

The quartet has been artist-in-residence at The University of Manchester since 2005, and performs a programme of lunchtime and evening concerts at the Martin Harris Centre throughout the year.

Prima la musica

“The ensemble positions Weinberg’s spare Fifth quartet (1945) and his busy, nervous Sixth (1946) on either side of his friend’s satirical Sixth (1956).”

Zaubersee Festival 2020 – 9th Festival of Russian chamber music in Lucerne

Festival Fougères Musicales

Internationale Schostakowitsch Tage

Two quartets by each composer, in each instance their seventh and eighth examples. Both adopting elements of the klezmer tradition, Weinberg’s date from 1957 and 1958 respectively, while the Shostakovich pair were written in 1960 – the highly personal Eighth within a period of three days.

For two frenetic weeks in July, Kuhmo in Eastern Finland is host to a chamber music festival attracting thousands of music lovers. In that fortnight, this town of 8,300 inhabitants echoes to the sound of music against a backcloth of a lake that almost laps the walls of the concert halls in the clear, unbelievable northern light.

“Aux abords de la Loire, entre les châteaux de Talcy et de Blois, le festival franco-russe la Clé des Portes imaginé par Arthur Ancelle et Ludmila Berlinskaïa est d’abord un état d’esprit. Un état d’esprit où règne la fantaisie des artistes invités, qui nous emmènent en voyage. La Clé des Portes est unique en son genre car elle ouvre toutes les places fortes, y compris celles de l’imaginaire.”

Festival ArtenetrA

Festival Pablo Casals